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A Busker - Useless Bum Watching Light Over Aerials (1997)

by jen svoboda

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1.
Brain Cells 02:06
BRAIN CELLS Unhealthy feeling - inward bleeding the cause is unknown - I’ve grown old It could have been my invention - or just sort of speculation I feel empty at home - so I wanna be blown Blown away… where the fierce river flows Blown away… to be drowned or stay alive Blown away… where to survive means to win Blown away… into the fierce river called life (14.8.1995)
2.
All in Black 04:33
ALL IN BLACK BLACK “BRAUN” WATCH BLACK SPACE BLACK IN THE CROTCH BLACK IN THE FACE BLACK COFFEY BLACK SHABBY BONES BLACK COLD TEA BLACK SICK THOUGTHS BLACK FUCKING LIFE BLACK BALL UNDER A HAT BLACK RUSTED KNIFE BLACK PERSON IN ITS BED BLACK … ALL IN BLACK BLACK SHADE PULLING DOWN BLACK TOO-LONG DAYS BLACK WOMAN IN HER NIGHT-GOWN BLACK OPINIONS ON GAYS BLACK I BLACK DEAD PEOPLE BLACK GIFT-GIVING NIGHT BLACK WORM IN THE APPLE BLACK FOGGY FUTURE BLACK GIRLS THAT I’VE MET BLACK AWAITING VULTURE BLACK IDEA IN MY HEAD BLACK … ALL IN BLACK BLACK STAINED WINDOW BLACK FOREST UPON BLACK COFFIN WHER I GO BLACK CANCER THAT TURNS ME ON BLACK … ALL IN BLACK — (Written on 20.6.1995)
3.
Morning Bus 07:21
Morning bus Evening tram Isn’t it the same… isn’t it the same? Your closed eyes on a hot red seat Your handsome body stretched out like meat Isn’t it the same, isn’t it the same, still the same? Morning bus Evening tram Go under water down into the dam I’d fall in love with you But I’ve got one small problem you know I go under water into the dam But if you don’t mind Just take my arm Hook it into mine like the last time But if you don’t mind Just take my arm Hook into mine And we’ll go to drown Morning girls Evening boys All look like toys Making noise Hi, ciao, ahoj Morning bus At 7 o’clock An old ugly brunette Pricks my cock I know it is just a toy a toy making noise Freezing morning Warm night The way seen Is not quite bright Upon an eye fallen profiles of things Upon a tongue cut out shadows that shrinks The road having been gone Is yet not quite bright But if you don’t mind Just take my arm Hook it into mine like the last time But if you don’t mind Just take my arm Hook into mine And we’ll go to drown — some 1996 or 1997
4.
Two Flies 04:48
It's another morning full of emptiness when six is sick and life is nothingness it's the same as yesterday as the days before though today I am not alone she's beautiful young insane probably a whore whore on dope whore on dope whore on dope I don't even know her name and she doesn't believe that my name Jan we keep asking each other for our names none of us hears an answer we keep asking each other for our names none of us understands lying on my bed watching a white ceiling I think of helping her I think of healing she is sitting there with her legs crossed the mute child is slightly swaying looking nowhere Karla Svetlanka or a black-haired ghost her door is closed she needs someone to open it with I do not know how who will call the locksmith who will call the locksmith when none of can move I feel like a piece of shit and she wants to be soothed two flies are hanging on a curtain in a blacked out room I've been watching them for a long time they are dead or just don't move they are dead or just don't move two flies (1997 autumn)
5.
Charmain 06:15
CHARMAIN WHAT ARE WE UP TO CHARMAIN IT MIGHT SOUND A BIT CRUEL BUT THE WHITE PRESSURE GOES HIGH SO WHY DON’T YOU CALL ME TONIGHT CHARMAIN WHILE YOU’RE EATING IN THE CANTEEN CHARMAIN MY FINGERS ARE TREMBLING I JUST CANNOT ROLL A CIGARETTE, CHRIST SO WHY DON’T YOU CALL ME TONIGHT CHARMAIN A COCK IS AN ANIMAL CHARMAIN IT WANTS TO HAVE IT ALL IT NEEDS A WANK, SUCK, FUCK... SO WHY DON’T YOU CALL ME TONIGHT CHARMAIN YOU’RE NINETEEN YEARS OLD CHARMAIN I’M GETTING BOLD AND OLD BUT JUST ONE GLIMPSE OF YOUR BLACK EYE AND I FEEL HIGH SO WHY DON’T YOU CALL ME TONIGHT THANKS FOR THE SMILES YOU GAVE ME THANKS FOR THE EYES YOU HAVE IT MADE ME FEEL AS IF YOU LIKED ME IT MADE ME FEEL RELAXED (summer 1997)
6.
Hey Ben 05:41
Hey Benny gotta tell you you're doing extremely well right man you are on your way if you keep your eyes wide open if you keep standing on your feet if you keep doing all the crazy things you will be the one of few who crashed their own fear aaa you don't believe me buddy alright now just listen you can see inside of you, can't you? you can admit all the fuck-ups, can you not? well man most people usually don't do it and they don't want to see their problems Ben they don't want to see inside of themselves cause they always have something to lose they are slaves you know they would lose something or somebody oh yes the scared slaves slaves under control of fear all terrified of loosing but Ben you are free Ben you are no slave you are no slave you don't be scared you are ready for defeats Evertime you lose you win anyway Ben You have certain things you like and you do them isn't that right, isn't that right man? one more thing on my mind now you'd better not talk to people the way you talk to yourselves at least not so often man they are not worth it they are scared and they don't want to show it no they are scared but you don't worry 'cause you are the one who crashed his own fear ---1997
7.
STREET AND A CUTE BODY STANDING BY THE CORNER LOOKING AROUND YOU’RE ONLY PASSING BY INTAKING THE NICE SIGHT IF YOU LOVE THIS WORLD SO SAY IT’S RIGHT IF YOU LOVE THIS WORLD SAY THAT’S RIGTH THEN AT NIGHT ON THE WAY TO BED YOU GET LOST YOU ASKED FOR IT YOU BEGGED FOR IT THERE YOU ARE NOW THE PEACE IS GONE AND YOUR BED IS FAR A BEAST’S LYING ON YOU BOY ON YOU GIRL BUT THEN IN THE MORNING GOD HUGS THEE SO YOU CAN SAIL ON FOR YOU’RE JUST A MATCH IN THE SEA THAT BOG MAKES FLOAT IF YOU GOT A LIGHT SO GO AND SHINE KEEP ENLIGHTENING UNTIL YOU SINK DOWN IF YOU GOT THE LIGHT GO AND SHINE KEEP GLOWING UNTIL YOU SINK DOWN I’M DRIFTING WOOD PIECE OF WOOD DRIFTING WOOD I’M A MATCH —— (written in Malta, summer 1997)
8.
9.
Night Shift Love Song To Feith Whenever you let me love you I’m ready Whenever you let me love you My eyes, my month, mack My head, my hair, my tongue The ass, hairs, dick and balls All the skin Whenever you don’t let me love you Ill clear the way And clean the air around With the squeezebox Whenever you let me love you But before that Ill masturbate Recalling licking your crotch Which gives the right angle To see your shivering body Just like now At 1:20 am Behind the reception desk With the radio-, refrigerator, ventilator kind of loneliness Well now Call me shit please Call me a shitty sperm gunner I still love you I still love you My sweety, sweaty, punky faith Punky faith Punky faith Whenever you let me love you I’m ready Whenever you let me love you I’m ready Punky faith ----- Text written for Věra, my first girlfriend and partner, during the reception work at Lazne Hotel Kostelec, CZ in 1998.
10.
Zuzka nese pivo (věnováno Zuzce, co dělala v hospodě na Zahradě) Když Zuzka nese pivo a staví se na pár slov Když Zuzka nese pivo dá ti pusu Roztáhne nohy a skáče panáka Roztáhne nohy a dá si panáka Tak ty piješ pivo Tak ty piješ pivo Tak ty piješ pivo A já piju rum (1999, Brno)
11.
BERUŠKA no jasně že mi strašně chybíš no jasně že bych ti to řekl a určitě bych si myslel že ti to vadí že tě s tím otravuju že to dělám horším protože já tě...beruško protože já tě...beruško samozřejmě však ty to víš jo ty to víš já tě beruško a mráz mi bude běhat po zádech běhá no prosím tě a budeš mít to kouzlo i za 20 let? no jestli jo tak tam budeš sedět a já budu strašně škaredý a už mi to konečně bude jedno a budu ti šeptat já tě beruško já tě fakt beruško však ty víš no mááráádáá, tááráádáá já tě beruško a mráz mi bude běhat po zádech no do boha však ty to víš já se nezměním vždy až závislý na tvých neskučných očích no a taky nudný až běda a snad se mi to bude tak i líbit a snad to budu stále i nenávidět a ty tam budeš sedět a budeš vědět že to nesnášíš ale snad i potřebuješ protože já tě beruško no já tě přece beruško úplně a věřím, že i ten mráz mi bude běhat po zádech jo snad jo no ovšem že bych dlouho vydržel jenom se dívat jak jseš jak něco děláš nebo povídáš ale ještě víc bych tě chtěl chytit za vlasy jasně jemně a jestli bych to svedl dotknout se brady a pak už bych to nebyl já už bych nedovedl říct nedovedl bych říct už bych nedovedl říct beruško já tě... beruško já tě... tak aby mi mráz běhal po zádech ---- Jen Svoboda, 2000 (z alba: Come Dream Like Cunt - Trabucco (2000))

about

This 3rd "album" was recorded in Brno-Bystrc before going to work in Malta (songs 1-4) and in Zlín-Jižní Svahy after coming back from the island in October 1997 (songs 5-8). Lyrics, music, voice, accordion by Jen Svoboda aka Moron. It was originally tape-recorded with a set of old tape recorders using their built-in mics. The digital copy was provided by Radek Herold aka Kedar aka Opuka. Thank you.

credits

released October 22, 1997

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jen svoboda Zlin, Czech Republic

Snivec, harmonikář s nástrojem ze 70. let (USSR), performer, milovník experimentů a kazet, písničkář, mučič turecké baglamy, samouk. Nově s indickým harmoniem

Nahrává od roku 1994 - seznámil se s pouliční scénou ulic a života měst Brno, Valletta (Malta), Galway (IRL), Curych a Lucern (CH) a Praha, kde na předměstí v současnosti žije a občas hrává na skalách Dalejského a Prokopského údolí
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